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Seite 78
The underlying distinction between fact and fiction that is meant to provide the scaffolding for this conceptual structure becomes increasingly fragile in postmodernity as societies become saturated with signification and the value of ...
The underlying distinction between fact and fiction that is meant to provide the scaffolding for this conceptual structure becomes increasingly fragile in postmodernity as societies become saturated with signification and the value of ...
Seite 135
In fact , Mishima draws to the center of the scene a glaring absence in Sartre's episode , namely the fact that the object of the voyeur's gaze is usually a sexual act . Sartre leaves us completely on one side of the keyhole , barring ...
In fact , Mishima draws to the center of the scene a glaring absence in Sartre's episode , namely the fact that the object of the voyeur's gaze is usually a sexual act . Sartre leaves us completely on one side of the keyhole , barring ...
Seite 185
The difference is that the virtual image exists in a way we cannot yet grasp , while the cliché is designed to be grasped all too readily . The virtual image is not an organic image where the virtual is in fact actualized ...
The difference is that the virtual image exists in a way we cannot yet grasp , while the cliché is designed to be grasped all too readily . The virtual image is not an organic image where the virtual is in fact actualized ...
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Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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