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Seite 90
For in the very different texts I examine here— “ Read- ing Like a Feminist " in Diana Fuss's Essentially Speaking ( an important interrogation of the tension between essentialism and constructionism that informs debates about the ...
For in the very different texts I examine here— “ Read- ing Like a Feminist " in Diana Fuss's Essentially Speaking ( an important interrogation of the tension between essentialism and constructionism that informs debates about the ...
Seite 94
the polemic " this text is essentialist ( and therefore bad ) ” ( xi ) , the same polemic Fuss so strenuously deconstructs in subsequent chapters by asking , " where , how and why is [ essentialism ] invoked , and what are its political ...
the polemic " this text is essentialist ( and therefore bad ) ” ( xi ) , the same polemic Fuss so strenuously deconstructs in subsequent chapters by asking , " where , how and why is [ essentialism ] invoked , and what are its political ...
Seite 95
On the one hand , this alignment disassociates her from implication in a generic " bad feminist essentialism " she ... and on the other it allows her to produce as “ bad essentialism " a feminist anti - anti - essentialist argument ...
On the one hand , this alignment disassociates her from implication in a generic " bad feminist essentialism " she ... and on the other it allows her to produce as “ bad essentialism " a feminist anti - anti - essentialist argument ...
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Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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