Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 177
... cinematic images Deleuze discusses , the movement - image and the time - image , there is much that is both unstable and destabilizing , not unlike what Benjamin understood by allegory : cinema may be the allegorical art par excellence ...
... cinematic images Deleuze discusses , the movement - image and the time - image , there is much that is both unstable and destabilizing , not unlike what Benjamin understood by allegory : cinema may be the allegorical art par excellence ...
Seite 185
... cinema that looks different even from neo - realism . It is , in Antonioni's brilliant phrase , neo - realism without a bicycle . Even in a necessarily hasty discussion of the time - image and the signs corresponding to it , one point ...
... cinema that looks different even from neo - realism . It is , in Antonioni's brilliant phrase , neo - realism without a bicycle . Even in a necessarily hasty discussion of the time - image and the signs corresponding to it , one point ...
Seite 186
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Susan Lurie | 89 |
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