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Seite 138
For Honda , the death brought about by the gaze no longer remains a mere metaphor for the obliteration of subjectivity . Honda literally fantasizes the scene of his own suicide , his “ exit from a world contaminated by perception ...
For Honda , the death brought about by the gaze no longer remains a mere metaphor for the obliteration of subjectivity . Honda literally fantasizes the scene of his own suicide , his “ exit from a world contaminated by perception ...
Seite 140
Honda's wife Rié escorts the nineteen - year - old Ying Chan and nearly fifty - year - old friend Keiko onto the terrace in their swimming suits . Honda's attention shifts to Keiko who “ seemed voluptuous ” and “ when seen in profile ...
Honda's wife Rié escorts the nineteen - year - old Ying Chan and nearly fifty - year - old friend Keiko onto the terrace in their swimming suits . Honda's attention shifts to Keiko who “ seemed voluptuous ” and “ when seen in profile ...
Seite 144
The abyss of these multiple refractions of the gaze in connection with the scenes of involontary recognitions is widened onto a further level : when Honda observes “ the demeaning position of his wife ” he recognizes himself in her .
The abyss of these multiple refractions of the gaze in connection with the scenes of involontary recognitions is widened onto a further level : when Honda observes “ the demeaning position of his wife ” he recognizes himself in her .
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Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Feminist Theory and Cultural Studies | 89 |
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