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Seite 28
Offscreen , a voice with a slight German accent ( Martina Siebert ) retells the story of four nuns sent to work in a convent high up in the Himalayas , emphasizing the repressed heterosexual desire “ The Good Nun ” ( Deborah Kerr ) and ...
Offscreen , a voice with a slight German accent ( Martina Siebert ) retells the story of four nuns sent to work in a convent high up in the Himalayas , emphasizing the repressed heterosexual desire “ The Good Nun ” ( Deborah Kerr ) and ...
Seite 29
At one point an anonymous voice on the sound track “ outs ” nuns she had crushes on as a child . Other nuns are framed on screen in two - shots or three - shots , by association also becoming lesbians , or at least potential lesbians .
At one point an anonymous voice on the sound track “ outs ” nuns she had crushes on as a child . Other nuns are framed on screen in two - shots or three - shots , by association also becoming lesbians , or at least potential lesbians .
Seite 43
The voice you hear might be your own ” ( Jenkins 196 ) . 39 Sink or Swim's origins are typical . Friedrich begins , she says , with “ stories from my own life that I feel the need to examine closely , and that I think are shared by many ...
The voice you hear might be your own ” ( Jenkins 196 ) . 39 Sink or Swim's origins are typical . Friedrich begins , she says , with “ stories from my own life that I feel the need to examine closely , and that I think are shared by many ...
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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