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The images which accompany this story establish a visual equivalence between Friedrich's past and his past : shots which look like the home movies from Friedrich's childhood show a young boy ( her father ? someone unrelated ? ) ...
The images which accompany this story establish a visual equivalence between Friedrich's past and his past : shots which look like the home movies from Friedrich's childhood show a young boy ( her father ? someone unrelated ? ) ...
Seite 100
the book was inevitably eventfulness , since that's the only story that sounds like a story . " Nothing happened that I couldn't cope with ” needs to be better diffused . ( One woman who had very hot flushes for years , and vehemently ...
the book was inevitably eventfulness , since that's the only story that sounds like a story . " Nothing happened that I couldn't cope with ” needs to be better diffused . ( One woman who had very hot flushes for years , and vehemently ...
Seite 150
So you see the stories the narratives as being an exposure of vulnerability ; as representing something that's missing , or lacking ? Kelly : Well , I think I mean to emphasize the impossibility of completely playing out that part .
So you see the stories the narratives as being an exposure of vulnerability ; as representing something that's missing , or lacking ? Kelly : Well , I think I mean to emphasize the impossibility of completely playing out that part .
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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American appear argues audience authority become begins body breasts calls Christian Cinema constructed context course critical cultural describes desire discourse discussion effects essay example experience fact father feel female feminine feminism feminist Figure film Friedrich gender Gulf hand identity images important individual institutions interest issues Journal Kelly Keyssar kind lesbian lives look mainstream male Marshner means menopause midlife Moore Moore's mother move narrative performance play poems poetry political popular position possible present produced prostitute question relation representation represented resistance response says scene sexual shows social society speak specific spectator story strategies structures student studies suggests teacher teaching tell theory tion torture University voice woman women writing York