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Seite 78
While this imaging would usually appear para- doxical beside their history as “ urban guerrilla terrorists , " the film posits their individual pasts as a social past and as a present social challenge . The women are depicted not as ...
While this imaging would usually appear para- doxical beside their history as “ urban guerrilla terrorists , " the film posits their individual pasts as a social past and as a present social challenge . The women are depicted not as ...
Seite 89
But the fictional persona remembers in the mode of past and present traumatization , and the spectator cannot escape her inflictions . Thus there are different levels of comfort to be found in these different spectator positions .
But the fictional persona remembers in the mode of past and present traumatization , and the spectator cannot escape her inflictions . Thus there are different levels of comfort to be found in these different spectator positions .
Seite 90
The eight real women summon knowledge from historical events and their counter - processes ; the fictional woman provokes thinking about present events as yet without counter - processes . The former mode , played out in an exterior ...
The eight real women summon knowledge from historical events and their counter - processes ; the fictional woman provokes thinking about present events as yet without counter - processes . The former mode , played out in an exterior ...
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Chris Holmlund | 44 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1994 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |