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Seite 89
These memories position the spectator likewise , in cathartic moments of social change . But the fictional persona remembers in the mode ... Thus there are different levels of comfort to be found in these different spectator positions .
These memories position the spectator likewise , in cathartic moments of social change . But the fictional persona remembers in the mode ... Thus there are different levels of comfort to be found in these different spectator positions .
Seite 126
As a female American modernist poet hoping to negotiate a position of authority for her own voice , Moore met four impediments , each one corresponding to a word in that description . In the first place , as a poet she struggled against ...
As a female American modernist poet hoping to negotiate a position of authority for her own voice , Moore met four impediments , each one corresponding to a word in that description . In the first place , as a poet she struggled against ...
Seite 179
Her strategy — reading “ from a female position of power and pleasure , a position outside or in excess to the phallic or male - defined feminine ” ( 10 ) — is reminiscent of the French feminisms associated with the early 1980s ( Bell ...
Her strategy — reading “ from a female position of power and pleasure , a position outside or in excess to the phallic or male - defined feminine ” ( 10 ) — is reminiscent of the French feminisms associated with the early 1980s ( Bell ...
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1994 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |