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Seite 17
Because it is so hard to “ see ” lesbians in and as spectators of mainstream films , some critics prefer a third route ... Although in “ Film and the Visible ” she stresses that what can be seen changes according to “ scene ” and time ...
Because it is so hard to “ see ” lesbians in and as spectators of mainstream films , some critics prefer a third route ... Although in “ Film and the Visible ” she stresses that what can be seen changes according to “ scene ” and time ...
Seite 41
22In interviews Friedrich often speaks of the “ absurd ambivalence ” she feels towards her father and her past ( MacDonald , “ Film , Family and Feminism ” 32 and A Critical Cinema 314 ) . See also McElfresh . 23 MacDonald detects the ...
22In interviews Friedrich often speaks of the “ absurd ambivalence ” she feels towards her father and her past ( MacDonald , “ Film , Family and Feminism ” 32 and A Critical Cinema 314 ) . See also McElfresh . 23 MacDonald detects the ...
Seite
WIDE ANGLE A Film Quarterly of Theory , Criticism and Practice Rethinking MARXISM A Journal of Economics , Culture , and. Ruth Bradley , Editor Ohio University and the Athens Center for Film and Video a Wide Angle presents today's best ...
WIDE ANGLE A Film Quarterly of Theory , Criticism and Practice Rethinking MARXISM A Journal of Economics , Culture , and. Ruth Bradley , Editor Ohio University and the Athens Center for Film and Video a Wide Angle presents today's best ...
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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