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Seite 41
Similarly , Kruger describes the film as “ a scrutiny of both a mother / daughter relationship and the demands of national identity ” ( “ Su Friedrich ” 89 ) . 25See also Edelstein , who calls the film " an original , moving and ...
Similarly , Kruger describes the film as “ a scrutiny of both a mother / daughter relationship and the demands of national identity ” ( “ Su Friedrich ” 89 ) . 25See also Edelstein , who calls the film " an original , moving and ...
Seite 54
For the “ phantasmatic necessity ” Kristeva describes also underlies religion's other face , the absolutist one that taps the economy of horror and suffering in the purifying , phobic interests of a “ clean and proper ” subject .
For the “ phantasmatic necessity ” Kristeva describes also underlies religion's other face , the absolutist one that taps the economy of horror and suffering in the purifying , phobic interests of a “ clean and proper ” subject .
Seite 62
... playing her trump card , for there is no narrative more deeply embedded in a mother's repertory of guilt than that she robbed her child of this kind of nurturing . She denies that the kind of family she describes is like the 1950s ...
... playing her trump card , for there is no narrative more deeply embedded in a mother's repertory of guilt than that she robbed her child of this kind of nurturing . She denies that the kind of family she describes is like the 1950s ...
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1994 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |