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6 Doubly marked as of the 1980s and early 1990s , then , the topics Friedrich's films take up and the narrative strategies they employ are nevertheless so varied as to make critical appeals to “ a ” lesbian aesthetic or “ a ” lesbian ...
6 Doubly marked as of the 1980s and early 1990s , then , the topics Friedrich's films take up and the narrative strategies they employ are nevertheless so varied as to make critical appeals to “ a ” lesbian aesthetic or “ a ” lesbian ...
Seite 39
5For a discussion of some of the changes in mainstream critical , trade , and “ film fan ” publications during the 1930s to 1950s , see Noriega . Discussions of 1970s lesbian experimental films place them on a continuum with women's ...
5For a discussion of some of the changes in mainstream critical , trade , and “ film fan ” publications during the 1930s to 1950s , see Noriega . Discussions of 1970s lesbian experimental films place them on a continuum with women's ...
Seite 41
22In interviews Friedrich often speaks of the “ absurd ambivalence ” she feels towards her father and her past ( MacDonald , “ Film , Family and Feminism ” 32 and A Critical Cinema 314 ) . See also McElfresh . 23 MacDonald detects the ...
22In interviews Friedrich often speaks of the “ absurd ambivalence ” she feels towards her father and her past ( MacDonald , “ Film , Family and Feminism ” 32 and A Critical Cinema 314 ) . See also McElfresh . 23 MacDonald detects the ...
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Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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