Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 1Indiana University Press, 1994 |
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Seite 32
... audience ? to what kind of audience ? It is impossible to say with certainty to whom this film is addressed , for naming ( by Friedrich of her- self ) and reclaiming ( by Friedrich of her past. Figure 4. Su Friedrich . Still from Sink or ...
... audience ? to what kind of audience ? It is impossible to say with certainty to whom this film is addressed , for naming ( by Friedrich of her- self ) and reclaiming ( by Friedrich of her past. Figure 4. Su Friedrich . Still from Sink or ...
Seite 125
... audience , an audience whose " high " and " popular " constituencies may be difficult to distinguish at times . For instance , T.S. Eliot became the image of the great poet for both high and popular audiences , in part because his work ...
... audience , an audience whose " high " and " popular " constituencies may be difficult to distinguish at times . For instance , T.S. Eliot became the image of the great poet for both high and popular audiences , in part because his work ...
Seite 138
... audience viewed her did change . The factors in play in the evolution of Moore's reception in- clude a change in the makeup of the " high " audience ( high and popular audiences having become even less distinguish- able in spite of ...
... audience viewed her did change . The factors in play in the evolution of Moore's reception in- clude a change in the makeup of the " high " audience ( high and popular audiences having become even less distinguish- able in spite of ...
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Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Chris Holmlund | 44 |
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