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Relatedly , the role of highbrow poet involves a performance of that part for an audience , an audience whose " high ... For instance , T.S. Eliot became the image of the great poet for both high and popular audiences , in part because ...
Relatedly , the role of highbrow poet involves a performance of that part for an audience , an audience whose " high ... For instance , T.S. Eliot became the image of the great poet for both high and popular audiences , in part because ...
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1 4 } + 1 audiences didn't read it , they were impressed by the reassuring suggestion of Eliot's capacity to answer ... Wallace Stevens , on the other hand , has played to a basically highbrow audience , and his relative unknownness in ...
1 4 } + 1 audiences didn't read it , they were impressed by the reassuring suggestion of Eliot's capacity to answer ... Wallace Stevens , on the other hand , has played to a basically highbrow audience , and his relative unknownness in ...
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lose her " highbrow " audience as a consequence , though the dynamics in which her “ high ” audience viewed her did change . The factors in play in the evolution of Moore's reception include a change in the makeup of the “ high ...
lose her " highbrow " audience as a consequence , though the dynamics in which her “ high ” audience viewed her did change . The factors in play in the evolution of Moore's reception include a change in the makeup of the “ high ...
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Inhalt
Womens Cultural Combat | 3 |
Looking for Lesbians | 16 |
Walking the Walk | 47 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 17,Ausgabe 1 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1994 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |