Publications of the Modern Language Association of America, Band 8;Band 15Modern Language Association of America, 1900 Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography. |
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Seite 119
... scenes , such as Shakspere had used before , but now made especially diverting when the climax was reached and the dogs chased the drenched and filthy boors about the stage , while Prospero and Ariel cried on quarry . Prospero himself ...
... scenes , such as Shakspere had used before , but now made especially diverting when the climax was reached and the dogs chased the drenched and filthy boors about the stage , while Prospero and Ariel cried on quarry . Prospero himself ...
Seite 145
... scene , inasmuch as the two maidens of the fay , when they first meet the hero , bear one a towel , the other a basin of gold . " Dans Lanval , le pendant de Graelent , il ne reste de toute la scène [ à la fon- taine ] que la rencontre ...
... scene , inasmuch as the two maidens of the fay , when they first meet the hero , bear one a towel , the other a basin of gold . " Dans Lanval , le pendant de Graelent , il ne reste de toute la scène [ à la fon- taine ] que la rencontre ...
Seite 148
... scene with the queen is dragged in , evidently out of place , at the very begin- ning of the lay . It is clearly stated ( see p . 134 ) that the king refuses to pay the hero so that he may retain him in his service , and yet this is ...
... scene with the queen is dragged in , evidently out of place , at the very begin- ning of the lay . It is clearly stated ( see p . 134 ) that the king refuses to pay the hero so that he may retain him in his service , and yet this is ...
Seite 149
... scene appears to have been shifted from the position it occupies in Lanval , ' when another device was adopted to make a suitable occasion for the knight's betrayal of his secret love . The king is represented as hav- ing the queen ...
... scene appears to have been shifted from the position it occupies in Lanval , ' when another device was adopted to make a suitable occasion for the knight's betrayal of his secret love . The king is represented as hav- ing the queen ...
Seite 151
... scene . She may have thought that it was ill suited for a courtly audience , or that it detracted from the dignity of any Arthurian hero to represent him in such a plight , justly laughed at by common people . At all events , the ...
... scene . She may have thought that it was ill suited for a courtly audience , or that it detracted from the dignity of any Arthurian hero to represent him in such a plight , justly laughed at by common people . At all events , the ...
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Häufige Begriffe und Wortgruppen
amie Arthur associations autem bien Breton Breton lay Caradoc ceste Compare cuius declension Dieu Diex eciam edition eius English eorum episode feminine fere French Friar Rush Frier Gaimar gender German Gradlon Graelent Guiron Harsnet's Havelok Henry Henry VI hero Horace Horace's igitur illi imperatoris Interpolation ipse ipsius Jhesucrist king King Horn knight Kön l'en language Lanval Lanvaux Latin meaning Meriadoc Middle High German mort moult neuter Nigro Saltu Old Norse original play plural poem poet Pope pucele Qu'el Qu'il quam quia quibus quippe quod quoque regis Robin Goodfellow rois romance Sagen Sagenbuch sanz sapience satire says scene seems sibi speech stems ending story Strife sunt syntax Talbot tamen Tayler thee Tiler tion Tipple transition uero uiro usage wife words
Beliebte Passagen
Seite 92 - The quality of mercy is not strained, It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blessed: It blesseth him that gives, and him that takes...
Seite 292 - Glory is like a circle in the water, Which never ceaseth to enlarge itself, Till, by broad spreading, it disperse to nought.
Seite 91 - So nigh is grandeur to our dust, So near is God to man, When Duty whispers low, Thou must, The youth replies, I can...
Seite 86 - CALM is the morn without a sound, Calm as to suit a calmer grief, And only thro' the faded leaf The chestnut pattering to the ground : Calm and deep peace on this high wold, And on these dews that drench the furze, And all the silvery gossamers That twinkle into green and gold : Calm and still light on yon great plain That sweeps with all its autumn bowers, And crowded...
Seite 88 - No more — no more — no more" — (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar! And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams — In what ethereal dances, By what eternal streams!
Seite 167 - ... relaxations of his genius. This employment became his favourite by its facility ; the plan was ready to his hand, and nothing was required but to accommodate as he could the sentiments of an old author to recent facts or familiar images ; but what is easy is seldom excellent ; such imitations cannot give pleasure to common readers ; the man of learning may be sometimes surprised and delighted by an unexpected parallel; but the comparison requires knowledge of the original, which, will likewise...
Seite 87 - And only thro' the faded leaf The chestnut pattering to the ground: Calm and deep peace on this high wold, And on these dews that drench the furze, And all the silvery gossamers That twinkle into green and gold: Calm and still light on yon great plain That sweeps with all its autumn bowers, And crowded farms and lessening towers, To mingle with the bounding main: Calm and deep peace in this wide air, These leaves that redden to the fall; And in my heart, if calm at all, If any calm, a calm despair:...
Seite 112 - ... we may about the best way of teaching English literature we are likely to agree that this series is built in the main upon the right lines. It is unexceptionable in its outward form and habit. It gives us in every case a clearly printed text, sufficiently annotated, but not, as a rule, overweighted with pedantic comments ; a biographical and critical introduction ; a bibliography, through which the student can find his way to the literary and historical setting of the particular classic on which...
Seite 183 - Farewell then verse, and love, and every toy, The rhymes and rattles of the man or boy ; What right, what true, what fit we justly call, Let this be all my care — for this is all . To lay this harvest up, and hoard with haste "What every day will want.
Seite 89 - AFFECTIONS, Instincts, Principles, and Powers, Impulse and Reason, Freedom and Control — So men, unravelling God's harmonious whole, Rend in a thousand shreds this life of ours. Vain labour ! Deep and broad, where none may see, Spring the foundations of that shadowy throne Where man's one nature, queen-like, sits alone, Centred in a majestic unity...