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2 The few that truly call thee Lord,
And wait thy sanctifying word,
And thee their utmost Saviour own,
Unite and perfect them in one.

3 O let them all thy mind express,
Stand forth thy chosen witnesses,
Thy power unto salvation show,
And perfect holiness below!

4 In them let all mankind behold
How Christians lived in days of old;
Mighty their envious foes to move,
A proverb of reproach-and love.

Charles Wesley.

Author's title: "Primitive Christianity." The original contains thirty stanzas, divided into two parts. These are verses one, two, six, and eight of Part II., unaltered. The hymn was first published by John Wesley in 1743 at the end of An Earnest Appeal to Men of Reason and Religion. It was a great favorite with Wesley, and with Fletcher of Madeley as well.

Two of the omitted stanzas show the "manner of spirit" of these men:

12 O might my lot be cast with these;
The least of Jesus' witnesses;

O that my Lord would count me meet
To wash His dear disciples' feet.

14 After my lowly Lord to go,

And wait upon Thy saints below;

Enjoy the grace to angels given

And serve the royal heirs of heaven.

From Charles Wesley's Hymns and Sa

cred Poems, 1749.

7s.

OD of love, that hearest prayer, Kindly for thy people care, Who on thee alone depend; Love us, save us to the end.

2 Save us in the prosperous hour,
From the flattering tempter's power;
From his unsuspected wiles,
From the world's pernicious smiles.

3 Never let the world break in, Fix a mighty gulf between; Keep us humble and unknown, Prized and loved by God alone.

4 Let us still to thee look up,

Thee, thy Israel's strength and hope;
Nothing know or seek beside
Jesus, and him crucified.

5 Far above created things

Look we down on earthly kings;
Taste our glorious liberty,
Find our happy all in thee.

Charles Wesley.

This is taken from a hymn of six stanzas of eight lines each, found in the author's Hymns for Those That Seek and Those That Have Redemption in the Blood of Jesus Christ, 1747, where it begins: "God of love that hear'st the prayer." We have here the first and fifth of the six double stanzas of the original and also the last half of the last stanza. In verse one, line four, the author wrote "Save us, save us" instead of "Love us,

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Till we meet, till we meet,
Till we meet at Jesus' feet!
Till we meet, till we meet,

God be with you till we meet again!

2 God be with you till we meet again! 'Neath his wings securely hide you, Daily manna still provide you; God be with you till we meet again! 3 God be with you till we meet again! When life's perils thick confound you, Put his arms unfailing round you; God be with you till we meet again! 4 God be with you till we meet again! Keep love's banner floating o'er you, Smite death's threatening wave before

you;

God be with you till we meet again!

Jeremiah E. Rankin.

We have from the author himself an account of the origin of this hymn and of the tune to which it is universally sung. Не was pastor of a Congregational Church in Washington City at the time he composed this hymn, becoming later President of Howard University, which is loIcated in the same city. He says:

Written in 1882 as a Christian good-by, it was called forth by no person or occasion, but was deliberately composed as a Christian hymn on the basis of the etymology of "goodby," which is "God be with you." The first stanza was written and sent to two composers one of unusual note, the other wholly unknown and not thoroughly educated in music. I selected the composition of the latter, submitted it to J. W. Bishoff (the musical director of a little book we were preparing), who approved of it but made some criticisms which were adopted. It was sung for the first time one evening in the First Congregational Church in Washington, of which I was then the pastor and Mr. Bishoff the organist. I attributed its popularity in no little part to the music to which it was set. It was a wedding of words and music, at which it was my function to preside; but Mr. Tomer should have his full share of the family honor.

Mr. W. G. Tomer, the composer of the tune, was teaching school in Washington City at the time he wrote the well-known and familiar tune to which this hymn is always sung and to which it is indebted for its popularity quite as much as to the literary and devotional qualities of the hymn itself. Of all good-by hymns that are used in public worship, this is the most popular written in recent times. 6, 6, 6, 6, 8, 8.

565

LE

ET earth and heaven agree,
Angels and men be joined,
To celebrate with me

The Saviour of mankind;

To adore the all-atoning Lamb, And bless the sound of Jesus' name.

2 O unexampled love!

O all-redeeming grace!

How swiftly didst thou move

To save a fallen race!

What shall I do to make it known What thou for all mankind hast done?

3 O for a trumpet voice,

On all the world to call !
To bid their hearts rejoice

In him who died for all!
For all my Lord was crucified;
For all, for all my Saviour died.
Charles Wesley.

Part of a poem of ten stanzas, from Hymns on God's Everlasting Love, 1741.

The hymn is made up of the first, the Christian believers are united in and seventh, and ninth stanzas. Charles Wes- around their divine Head, the closer they ley was never weary of insisting upon the are to him the closer they are to each truth of the last two lines of this hymn. other. John Wesley on one occasion He had a most intense aversion to the quoted the cheerful conversation between opposite doctrine of unconditional elec- Jehonadab and Jehu: "Is thine heart tion. In another hymn, published in the right, as my heart is with thy heart? . . . above book, he exclaims: "Take back my If it be, give me thine hand." "This does interest in Thy blood unless it streamed not mean," said Wesley, "Be of my opinfor all the race." In holy audacity this ion; thou needest not.' Neither do I reminds us of the prayer of Moses for mean, I will be of thine opinion; I canIsrael: "Now, if thou wilt forgive their not. Let all opinions alone; give me sin; and if not, blot me, I pray thee, out of thy book."

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6 So, when the world shall pass away,
May we awake with joy and say,
"Now in the bliss of endless day
We are all one."

Christopher Wordsworth. This hymn, which is titled "A Prayer for Unity," was written by the Bishop of Lincoln immediately after the Nottingham Church Congress in 1871, at the request of Christian friends, and was set to music by Dr. H. J. Gauntlett, a composer of note. It was published in the 1872 edition of the author's collection of hymns titled The Holy Year. When

thine hand.'"

8s, 7s. D.

567
Toward goes the pilgrim band,

HROUGH the night of doubt and sorrow

Singing songs of expectation,

Marching to the promised land.
Clear before us through the darkness
Gleams and burns the guiding light:
Brother clasps the hand of brother,
Stepping fearless through the night.

2 One, the light of God's own presence,
O'er his ransomed people shed,
Chasing far the gloom and terror,
Brightening all the path we tread:
One, the object of our journey,

One, the faith which never tires,
One, the earnest looking forward,
One, the hope our God inspires.

3 One, the strain that lips of thousands
Lift as from the heart of one;
One the conflict, one the peril,
One, the march in God begun:
One, the gladness of rejoicing
On the far eternal shore,
Where the one Almighty Father
Reigns in love for evermore.

4 Onward, therefore, pilgrim brothers,
Onward, with the cross our aid!
Bear its shame, and fight its battle,
Till we rest beneath its shade!
Soon shall come the great awaking;
Soon the rending of the tomb;
Then, the scattering of all shadows,
And the end of toil and gloom.

Bernhardt S. Ingemann.
Tr. by Sabine Baring-Gould.
From the Danish. The translation first
appeared in The People's Hymnal, Lon-
don, 1867. This is a revised text as it
appears in Hymns Ancient and Modern.
It glorifies Christian unity as does no oth-
er hymn in the book.

568

COMER

HYMNS ON TIME AND ETERNITY

P. M.

ME, let us anew our journey pursue,
Roll round with the year,

And never stand still till the Master appear.
His adorable will let us gladly fulfill,

And our talents improve,

morning visited a school of young ladies and sat with them during the breakfast hour. At its close he invited them all to visit him the next morning at the vicarage at seven o'clock. On their arrival Mr. Fletcher took his basin of bread and milk and asked the girls to look

By the patience of hope, and the labor of at his watch and tell him how much time he

love.

2 Our life is a dream; our time, as a stream, Glides swiftly away,

And the fugitive moment refuses to stay. The arrow is flown, the moment is gone; The millennial year

Rushes on to our view, and eternity's here.

took for breakfast. When he had finished,
they said: "Just a minute and a half." The
Vicar then said: "My dear girls, we have fif-
ty-eight minutes of the hour left; let us sing,
'Our life is a dream; our time, as a stream,
Glides swiftly away,

And the fugitive moment refuses to stay.'"
He gave them a lecture on the value of time

3 O that each in the day of his coming may and the worth of a soul, and, after praying

say,

"I have fought my way through;

I have finished the work thou didst give me to do!"

O that each from his Lord may receive the glad word,

"Well and faithfully done! Enter into my joy, and sit down on my throne!"

Charles Wesley.

This celebrated New Year hymn by Charles Wesley has been called "a silver cord on which the beads of life seem threaded." It is one of his seven Hymns for New Year's Day, 1750; "price, one penny." This was a favorite meter with the Wesleys and the early Methodists, but it is not popular with modern choirs and congregations in many parts of our Church. It is the most suitable of all Wesleyan hymns for use at the watch night services and to be sung in connection with New Year sermons. It is to be regretted that the tune is becoming less and less familiar to our people, making it impractical to use it on many occasions when the preacher would like to do so.

In Tyerman's Life of Fletcher is the following reference to this hymn:

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with them at eight o'clock, they returned to school more deeply impressed than ever before.

In the first line of verse three the author wrote "might" instead of "may." It is otherwise unaltered and entire.

569

COME

C. M.

NOME, let us use the grace divine,
And all, with one accord,

In a perpetual covenant join
Ourselves to Christ the Lord;

2 Give up ourselves, through Jesus' power, His name to glorify;

And promise, in this sacred hour,
For God to live and die.

3 The covenant we this moment make
Be ever kept in mind;
We will no more our God forsake,
Or cast his words behind.

4 We never will throw off his fear
Who hears our solemn vow;
And if thou art well pleased to hear,
Come down, and meet us now.

5 Thee, Father, Son, and Holy Ghost,
Let all our hearts receive;
Present with the celestial host,
The peaceful answer give.

6 To each the covenant blood apply,
Which takes our sins away;
And register our names on high,
And keep us to that day.

Charles Wesle

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