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What is loose love? a transient gust,
Spent in a sudden storm of lust;
A vapour fed from wild desire,
A wandering, self-consuming fire.
But Hymen's kinder flames unite,

And burn for ever one;
Chaste as cold Cynthia's virgin light,

Productive as the sun.

Semichorus.
Oh source of every social tye
United wish, and mutual joy!

What various joys on one attend,
As son, as father, brother, husband, friend!
Whether his hoary sire he spies,
While thousand grateful thoughts arise ;
Or meets his spouse's fonder eye;
Or views his smiling progeny;
What tender passions take their turns,

What home-felt raptures move!
His heart now melts, now leaps, now burasy.

With reverence, hope, and love.

Chorus.
Hence, guilty joys, distastes, surmises;
Hence, false tears, deceits, disguises,
Dangers, doubts, delays, surprises,

Fires that scorch, yet dare not shine :
Purest love's unwasting treasure,
Constant faith, fair hope, long leisure;
Days of ease, and nights of pleasure,

Sacred Hymen! these are thine..

ODE ON SOLITUDE.
Written when the Author was about twelve

Years old.
LAPPY the man, whose wish and care
11 A few paternal acres bound,
Content to breathe his native air,

• In his own ground.

Whose herds with milk, whose fields with bread,

Whose flocks supply him with attire ; Whose trees in summer yield him shade,

In winter fire.

Blest, who can unconcern'dly find

Hours, days, and years, slide soft away, In health of body, peace of mind,

Quiet by day: Sound sleep by night; study and ease, • Together mix'd; sweet recreation, And innocence, which most daes please

With meditation.

Thus let me live, unseen, unknown;

Thus unlamented let me die,
Steal from the world, and not a stone

Tell where I lie.

ODE.
The dying Christian to his Soul.

VITAL spark of heavenly flame!

Quit, oh quit, this mortal frame:
Trembling, hoping, lingering, flying,
On the pain, the bliss of dying !

Cease, fond nature, cease thy strife,
And let me languish into life.

Hark! they whisper; angels say,
Sister spirit, come away.
What is this absorbs me quite,

Steals my senses, shuts my sight,
Drowns my spirits, draws my breath?
Tell me, my soul, can this be death?

The world recedes; it disappears! Heaven opens on my eyes! my ears

With sounds seraphic ring: Lend, lend your wings! I mount! I fly! O grave! where is thy victory?

O death! where is thy sting?

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PART I. Introduction. That it is as great a fault to judge

ill, as to write ill, and a more dangerous one to the public, ver. 1. That a true taste is as rare to be found as a true genius, ver. 9 to 18. That most men are born with some taste, but spoiled by false education, ver. 10 to 25. The multitude of critics, and causes of them, ver. 26 to 45. That we are to study our own taste, and know the limits of it, ver. 46 to 67. Nature the best guide of judgement, ver. 68 to 87. Improved by art and rules, which are but methodized nature, ver. 88. Rules derived from the practice of ancient poets, ver. 88 to 110. That therefore the ancients are necessary to be studied by a critic, particularly Homer and Virgil, ver. 120 to 138. of licences, and the use of them by the ancients, ver. 140 to 180. Reverençe due to the ancients, and praise of them, ver. 181, &c.

TIS hard to say, if greater want of skill

1 Appear in writing or in judging ill;
But of the two, less dangerous is th' offence
To tire our patience, than mislead our sense.
Some few in that, but numbers err in this,
Ten censure wrong for one who writes amiss;

A fool might once himself alone expose,
Now one in verse makes many more in prose.

'Tis with our judgements as our watches; none
Go just alike, yet each believes his own.
In poets as true genius is but rare.
True taste as seldom is the critic's share;
Both must alike from Heaven derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well:
Authors are partial to their wit, 'tis true;
But are not critics to their judgement too?

Yet, if we look more closely, we shall find Most have the seeds of judgement in their mind: Nature affords at least a glimmering light; The lines, though touch'd but faintly, are drawn

right. But as the slightest sketch, if justly trac'd, Is by ill-colouring but the more disgrac'd, So by false learning is good sense defac'd: Some are bewilder'd in the maze of schools, And some made coxcombs nature meant but fools, In search of wit these lose their common sense, And then turn critics in their own defence: Each burns alike, who can, or cannot write, Or with a rival's or an eunuch's spite. All fools have still an itching to deride, And fain would be upon the laughing side. If Mævius scribble in Apollo's spite, There are who judge still worse than he can write.

Some have at first for wits, then poets, past; Turn'd critics next, and prov'd plain fools at last. Some neither can for wits nor critics pass, As heavy mules are neither horse nor ass. Those half-learn'd witlings, numerous in our isle, As half-form'd insects on the banks of Nile; Unfinish'd things, one knows not what to call, Their generation's so equivocal: To tell them would a hundred tongues require, Or one vain wit's, that might a hundred tire.

D

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