Abbildungen der Seite
PDF
EPUB

FLUTE

7. Transcribe the following extract in notes of the real pitch, using only the G and F clefs. Prefix the Italian names of the instruments. Name the work from which the passage is taken. Notes which sound as they are written need not be copied.

[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors]

333

The Examination in playing from figured Bass and from Score will be from 9 to 11 on FRIDAY, December 5. Viva Voce in Counterpoint and Harmony during the same hours.

SECOND SPECIAL EXAMINATION IN MUSIC

FOR THE ORDINARY B.A. DEGREE.

THURSDAY, December 4, 1884.

Paper Work, 10 to 12.

Viva Voce on Harmony, 12 to 1 [during which hour Candidates who have not finished their Papers have the option to continue them].

COUNTERPOINT.

1. WRITE a Counterpoint of the Second Species for Soprano in its proper Clef above the following Canto Fermo. The Score to consist of Two parts.

Write another Counterpoint of the same Canto Fermo. The Score also to part of each exercise.

Second Species for the Bass below the consist of Two parts. Figure the lower

2. Write a Counterpoint of Fifth Species for Soprano and of the First Species for Alto each in its proper Clef. The Score to consist of Three parts. Figure the Bass.

3. Write Counterpoint of the Fourth Species for Soprano above and of the Third Species, with four notes in each bar for Bass, below the following Canto Fermo.

The Score to consist of Three parts, each part in its proper Clef. Figure

the Bass.

4. Write a Canto Fermo, for Soprano in its proper Clef, above the following Counterpoint. Figure the Bass.

[ocr errors]

to the

5. Write Double Counterpoint in the 15th, six notes against one, to following Subject. The Counterpoint to be written, both above and below the Subject, and the lower part figured, in each case.

6. Why may not more than three 3rds or 6ths be used in succession in Two-part Counterpoint?

« ZurückWeiter »