The Films of Roberto Rossellini
Cambridge University Press, 29.01.1993 - 183 Seiten
The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), General della Rovere(1959), and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television.
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Roma città aperta and the Birth of Italian Neorealism
Paisà and the Rejection of Traditional Narrative Cinema
Doubts about the Movie
Ingrid Bergman and a New Cinema
Commercial Success and
Toward a Didactic
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aesthetic American Andre Bazin Anna Magnani Art Film Stills artistic Bardone Cahiers du Cinema camera Carlo Carmela Cast Celestino Centro sperimentale chaplain comic commercial cinema Costumes critics documentary Don Pietro Editing episode fascist fascist period Federico Fellini Film Stills Archives film's Francesco French generale Della Rovere German historical Hollywood ideological Ingrid Bergman intended for television Italian cinema Italian neorealism Italy Jolanda Benvenuti Music Katherine L'uomo dalla croce Louis XIV macchina ammazzacattivi Manfredi Marcella De Marchis Marcello Pagliero Mario metodo minutes First screening Modern Art Film Museum of Modern Mussolini neorealist nonprofessional actors Paisa partisan political postwar pouvoir par Louis prise de pouvoir RAI-TV realism reality Renzo Rossellini Renzo Rossellini Sound Roberto Rossellini role Roma citta aperta Roma Music Rome scene screening or transmission script sequence Sergio Amidei Set design shot Sica Sica's soldiers sperimentale di cinematografia traditional transmission if intended Viaggio in Italia Vittorio Vittorio De Sica zoom
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