Im Buch
Ergebnisse 1-3 von 72
Seite 29
He knows that he represents not a doctrine of life but the condition of living . ( 341-42 ) Now I hope it won't be in any way assumed that I am setting out to impugn the reputation of this obviously important figure in the history of ...
He knows that he represents not a doctrine of life but the condition of living . ( 341-42 ) Now I hope it won't be in any way assumed that I am setting out to impugn the reputation of this obviously important figure in the history of ...
Seite 97
Would Dylan , but not Madonna , be allowed to cross the divide safely because he represents “ brains , ” not “ body ” ? ( As Freedman notes , Dylan “ legitimized ” himself by claiming to be influenced by Rimbaud [ 209 ) ; Harris ...
Would Dylan , but not Madonna , be allowed to cross the divide safely because he represents “ brains , ” not “ body ” ? ( As Freedman notes , Dylan “ legitimized ” himself by claiming to be influenced by Rimbaud [ 209 ) ; Harris ...
Seite 103
She represents a high growth potential with a low risk investment . However , this need of the market for a ... been singled out to represent " what the art of the decade has been about " ( Grundberg 25 ) ? As I have been suggesting ...
She represents a high growth potential with a low risk investment . However , this need of the market for a ... been singled out to represent " what the art of the decade has been about " ( Grundberg 25 ) ? As I have been suggesting ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic American analysis appears argues artist Barthes become body boredom century cinema claims construction critical culture death desire discourse effect essay example experience face fantasy father female feminist figure film gender German gesture give hand human identity imagine interest issues kind knowledge language living look machine male means memory mother narrative nature never object once past performance photographs political popular position possible postmodern present production professor question reality refers relation representation represents response reveals scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests theory thing tion tradition Trans truth turn understanding University Virginia virtual visual woman women Woolf writing York