Im Buch
Ergebnisse 1-3 von 89
Seite 74
99 of the collection , the bluntly positivist captions belie the book's aestheticization of the photographs , hailed as masterpieces by Witkin in his introduction . Burns's descriptions locate the photographs within the history of ...
99 of the collection , the bluntly positivist captions belie the book's aestheticization of the photographs , hailed as masterpieces by Witkin in his introduction . Burns's descriptions locate the photographs within the history of ...
Seite 181
do with the texture and grain of the photographic print and the look of a particular photographic process in this case ... The crime - scene photographs provide the look of a lost past that is at once true and fantastic ; for while they ...
do with the texture and grain of the photographic print and the look of a particular photographic process in this case ... The crime - scene photographs provide the look of a lost past that is at once true and fantastic ; for while they ...
Seite 182
He concludes that while we may want to contrive a story for each photograph , they “ rob us even of speculation , since ... Thus the book ends with a refutation of what I have described as his attempt to instill the photographs with the ...
He concludes that while we may want to contrive a story for each photograph , they “ rob us even of speculation , since ... Thus the book ends with a refutation of what I have described as his attempt to instill the photographs with the ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic American analysis appears argues artist Barthes become body boredom century cinema claims construction critical culture death desire discourse effect essay example experience face fantasy father female feminist figure film gender German gesture give hand human identity imagine interest issues kind knowledge language living look machine male means memory mother narrative nature never object once past performance photographs political popular position possible postmodern present production professor question reality refers relation representation represents response reveals scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests theory thing tion tradition Trans truth turn understanding University Virginia virtual visual woman women Woolf writing York