Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16Indiana University Press, 1993 |
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Seite 152
... object [ becomes ] transformed into a loss in the ego , " he hypothesizes ( 170 ) . In melancholia , the ego makes an object - choice on the basis of narcissistic identification with its object ; when , for whatever reason , that object ...
... object [ becomes ] transformed into a loss in the ego , " he hypothesizes ( 170 ) . In melancholia , the ego makes an object - choice on the basis of narcissistic identification with its object ; when , for whatever reason , that object ...
Seite 123
... object cries out in a way in the desert . . . . The specificity of the photograph is this : that what I call the cry of the object appears as a possible response from the good side , that of the lens . Photography is a call without ...
... object cries out in a way in the desert . . . . The specificity of the photograph is this : that what I call the cry of the object appears as a possible response from the good side , that of the lens . Photography is a call without ...
Seite 89
... object ( electronic machine or human body as other , depending on who eats whom ) is occluded and destroyed , only ... object penetrate his body and keeps it ' inside ' his body " : [ Incorporation ] means to obtain pleasure by ...
... object ( electronic machine or human body as other , depending on who eats whom ) is occluded and destroyed , only ... object penetrate his body and keeps it ' inside ' his body " : [ Incorporation ] means to obtain pleasure by ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York