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In melancholia , the ego makes an object - choice on the basis of narcissistic identification with its object ; when , for whatever reason , that object is lost , the ego incorporates it ( often , Freud notes , through fantasies of ...
In melancholia , the ego makes an object - choice on the basis of narcissistic identification with its object ; when , for whatever reason , that object is lost , the ego incorporates it ( often , Freud notes , through fantasies of ...
Seite 124
... is a trompe l'oeil ; only a déjà vu exists . For the spectator , it is the look of the photographer upon the object . For the photographer , it is the look directed not at an object but at the image of an object 124 Discourse 16.2.
... is a trompe l'oeil ; only a déjà vu exists . For the spectator , it is the look of the photographer upon the object . For the photographer , it is the look directed not at an object but at the image of an object 124 Discourse 16.2.
Seite 89
Note that unlike identification , incorporation does not depend on likeness or similarity or mirrors in order to mistake the other as the self ; in an “ oral - sadistic ” or “ cannibalistic ” fantasy , the introjected object ...
Note that unlike identification , incorporation does not depend on likeness or similarity or mirrors in order to mistake the other as the self ; in an “ oral - sadistic ” or “ cannibalistic ” fantasy , the introjected object ...
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Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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