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... when photography enters into cinema to freeze its movements are often excessive moments — cruel moments , sublime moments where the apparatus cinema reveals the extremities of its possible contents and of its possible formal means .
... when photography enters into cinema to freeze its movements are often excessive moments — cruel moments , sublime moments where the apparatus cinema reveals the extremities of its possible contents and of its possible formal means .
Seite 89
That is , in the words of Laplanche and Pontalis , " the subject , more or less on the level of phantasy , has an object penetrate his body and keeps it ' inside ' his body " : [ Incorporation ) means to obtain pleasure by making an ...
That is , in the words of Laplanche and Pontalis , " the subject , more or less on the level of phantasy , has an object penetrate his body and keeps it ' inside ' his body " : [ Incorporation ) means to obtain pleasure by making an ...
Seite 126
Particularly in fictional forms , but implicitly , I think , in scientific and philosophical arguments , the imaginary , technological humanoid figures are means of displaying the human encounter with itself . If one takes such figures ...
Particularly in fictional forms , but implicitly , I think , in scientific and philosophical arguments , the imaginary , technological humanoid figures are means of displaying the human encounter with itself . If one takes such figures ...
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Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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aesthetic American analysis appears argues artist Barthes become body boredom century cinema claims construction critical culture death desire discourse effect essay example experience face fantasy father female feminist figure film gender German gesture give hand human identity imagine interest issues kind knowledge language living look machine male means memory mother narrative nature never object once past performance photographs political popular position possible postmodern present production professor question reality refers relation representation represents response reveals scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests theory thing tion tradition Trans truth turn understanding University Virginia virtual visual woman women Woolf writing York