Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16Indiana University Press, 1993 |
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Seite 7
... genre . Indeed , I would argue the particular adaptability of this specific genre to televisual inter- pretation precisely because of its attendant fictions of intimate , authentic , and direct enunciation . And second , I would like ...
... genre . Indeed , I would argue the particular adaptability of this specific genre to televisual inter- pretation precisely because of its attendant fictions of intimate , authentic , and direct enunciation . And second , I would like ...
Seite 54
... genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested ... genre , both to be and to emasculate the melo- drama of gender as it has been articulated by both sexes , is a ...
... genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested ... genre , both to be and to emasculate the melo- drama of gender as it has been articulated by both sexes , is a ...
Seite 66
... genre , its narrative unmasks the phallic fantasies of the male gaze while refusing to reward those of the female gaze - the cinematic equivalent perhaps of the hooker's revenge , for a penis sewn on upside down sadistically destroys ...
... genre , its narrative unmasks the phallic fantasies of the male gaze while refusing to reward those of the female gaze - the cinematic equivalent perhaps of the hooker's revenge , for a penis sewn on upside down sadistically destroys ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York