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Seite 57
Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he ...
Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he ...
Seite 30
transgression of femininity , and this is as much a question of class as of gender . They have too much and are too visible . The idle feminine lady has to be summoned by the text both to define the deviance of women workers , and to ...
transgression of femininity , and this is as much a question of class as of gender . They have too much and are too visible . The idle feminine lady has to be summoned by the text both to define the deviance of women workers , and to ...
Seite 46
in terms of a visual shock that is hard to tolerate , we can see the interface of race and sexuality which shows how central the issue of race was to those of gender and class in any cultural product of the white bourgeoisie in the ...
in terms of a visual shock that is hard to tolerate , we can see the interface of race and sexuality which shows how central the issue of race was to those of gender and class in any cultural product of the white bourgeoisie in the ...
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Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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