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Seite 176
In Incidents , then , Barthes's " gay desire " appears as a white middle - class gay male subjectivity that may sometimes ruefully note its limits , but consistently ignores the terms of its construction . Moreover , there is never a ...
In Incidents , then , Barthes's " gay desire " appears as a white middle - class gay male subjectivity that may sometimes ruefully note its limits , but consistently ignores the terms of its construction . Moreover , there is never a ...
Seite 69
This narrative of intrusion into a woman's dressing room performs the narrativized intrusion of the typically hidden desire of the subject of the medical photographer himself ; though Duchenne tries to duck out of the right side of the ...
This narrative of intrusion into a woman's dressing room performs the narrativized intrusion of the typically hidden desire of the subject of the medical photographer himself ; though Duchenne tries to duck out of the right side of the ...
Seite 116
The term “ double mimesis " is derived from Mary Ann Doane , The Desire to Desire . 5 This desire to be shocking has also ruled Madonna's actions . 6 Sherman showed up to work one day at Artists Space in New York wearing a nurse's ...
The term “ double mimesis " is derived from Mary Ann Doane , The Desire to Desire . 5 This desire to be shocking has also ruled Madonna's actions . 6 Sherman showed up to work one day at Artists Space in New York wearing a nurse's ...
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Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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aesthetic American analysis appears argues artist Barthes become body boredom century cinema claims construction critical culture death desire discourse effect essay example experience face fantasy father female feminist figure film gender German gesture give hand human identity imagine interest issues kind knowledge language living look machine male means memory mother narrative nature never object once past performance photographs political popular position possible postmodern present production professor question reality refers relation representation represents response reveals scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests theory thing tion tradition Trans truth turn understanding University Virginia virtual visual woman women Woolf writing York