Im Buch
Ergebnisse 1-3 von 66
Seite 121
subjectivities and unexamined claims that make property of others beyond the self , all the while denying such ... or social positioning that would give rise to a claim for the legal interests of groups ” ( emphasis added ) .
subjectivities and unexamined claims that make property of others beyond the self , all the while denying such ... or social positioning that would give rise to a claim for the legal interests of groups ” ( emphasis added ) .
Seite 70
Duchenne's project claims to represent , in a simultaneously scientific and aesthetic form , the unmediated truth of the emotions , thoughts , and subjectivity of the person being photographed . Yet only through his assertion of his own ...
Duchenne's project claims to represent , in a simultaneously scientific and aesthetic form , the unmediated truth of the emotions , thoughts , and subjectivity of the person being photographed . Yet only through his assertion of his own ...
Seite 192
Her welcome account of criticism's baffled response to the uncanny effects of the photographic field stand out in contrast to her own tendency to make definitive , art historical claims about the surreal gestures of modernist ...
Her welcome account of criticism's baffled response to the uncanny effects of the photographic field stand out in contrast to her own tendency to make definitive , art historical claims about the surreal gestures of modernist ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic American analysis appears argues artist Barthes become body boredom century cinema claims construction critical culture death desire discourse effect essay example experience face fantasy father female feminist figure film gender German gesture give hand human identity imagine interest issues kind knowledge language living look machine male means memory mother narrative nature never object once past performance photographs political popular position possible postmodern present production professor question reality refers relation representation represents response reveals scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests theory thing tion tradition Trans truth turn understanding University Virginia virtual visual woman women Woolf writing York