Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16Indiana University Press, 1993 |
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Seite 185
... cinema of attraction to a cinema of " absorption . " In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. ...
... cinema of attraction to a cinema of " absorption . " In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. ...
Seite 187
... cinema , where are we if we argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically narrative ) ? To see early cinema as not bourgeois always seems to sound like an investment in the position of the ...
... cinema , where are we if we argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically narrative ) ? To see early cinema as not bourgeois always seems to sound like an investment in the position of the ...
Seite 171
... cinema and painting . " But , one might well ask , why cinema ? We are not talking about an actual material equivalence , as with painting , but rather a mental incidence . This incidence can be found on the one hand in the capacity for ...
... cinema and painting . " But , one might well ask , why cinema ? We are not talking about an actual material equivalence , as with painting , but rather a mental incidence . This incidence can be found on the one hand in the capacity for ...
Inhalt
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
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Aboriginal aesthetic American Anita Hill argues artist Barthes Barthes's become Benjamin body boredom Brassaï camera Cindy Sherman cinema contemporary critical critique cyborg D.W. Griffith DC COMICS death Deleuze desire discourse Dracula Duchenne essay example experience face fantasy Father Figure female feminine feminism feminist fetish fiction film gender genre George Michael German gesture homosexuality Hong Kong Hong Kong cinema human identity issues Kristeva language look lyric machine male Marilyn Monroe means medical photography Megan melancholia modern Moffatt Monroe mother Munby myth narrative nation object photographs political popular culture pose postmodern professor psychoanalysis question reality relation representation Roland Barthes Routledge semiotic sexual Sherman social space story Studies Superman Tania Modleski Teleny television theater theory tion Tracey Moffatt tradition Trans truth vampire viewer Virginia Woolf virtual visual woman women writing York