Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 59
... sexual desire actually began with the contemplation not of the materiality of the body , but with that of the signifier . In much earlier twentieth- century criticism , Shakespeare's comedies have been appreciated as temporary ...
... sexual desire actually began with the contemplation not of the materiality of the body , but with that of the signifier . In much earlier twentieth- century criticism , Shakespeare's comedies have been appreciated as temporary ...
Seite 62
... sexual behavior was perceived to affect the honor and therefore the credit and economic power of her kinsmen.25 Nor do they consider the way in which such traditional conceptions of sexual honor , credit , and wealth were themselves ...
... sexual behavior was perceived to affect the honor and therefore the credit and economic power of her kinsmen.25 Nor do they consider the way in which such traditional conceptions of sexual honor , credit , and wealth were themselves ...
Seite 63
... sexual accessibility to the young hero . The plays therefore represent a society in which official to tolerance of prostitution first sanctions the initial violation of chas- tity and ensures that , once attached to a citizen house ...
... sexual accessibility to the young hero . The plays therefore represent a society in which official to tolerance of prostitution first sanctions the initial violation of chas- tity and ensures that , once attached to a citizen house ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York