Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 261
... says " I will fight with him . upon this theme / Until my eyelids will no longer wag " ( 261-2 ) , meaning the theme of who loved Ophelia more , but this is not the theme upon which Laertes wishes to fight . Hamlet is calm at the ...
... says " I will fight with him . upon this theme / Until my eyelids will no longer wag " ( 261-2 ) , meaning the theme of who loved Ophelia more , but this is not the theme upon which Laertes wishes to fight . Hamlet is calm at the ...
Seite 273
... says of the rapid sequence of images in the second passage fountain ' , ' cistern ' , ' it ' - unarrestably until we are allowed ( or required ) to pause at the climactic image of the copulating toads.32 They are the most memorably ...
... says of the rapid sequence of images in the second passage fountain ' , ' cistern ' , ' it ' - unarrestably until we are allowed ( or required ) to pause at the climactic image of the copulating toads.32 They are the most memorably ...
Seite 342
... says he has lost his daughter . The audience knows his double meaning : Alonso does not . He wishes that they were both alive to be King and Queen of Naples . Prospero will not tell his story in full ' For ' tis a chronicle of day by ...
... says he has lost his daughter . The audience knows his double meaning : Alonso does not . He wishes that they were both alive to be King and Queen of Naples . Prospero will not tell his story in full ' For ' tis a chronicle of day by ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York