Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 78
... follows those scenes . Before Viola leaves the Duke to woo Olivia on his behalf , Valentine , noting how fond the Duke has become of his new page , draws her attention to the fact that " he [ the Duke ] hath known you but three days ...
... follows those scenes . Before Viola leaves the Duke to woo Olivia on his behalf , Valentine , noting how fond the Duke has become of his new page , draws her attention to the fact that " he [ the Duke ] hath known you but three days ...
Seite 275
... follows : maybe never again , a sort of post coitum tristis . By contrast Desdemona registers pleasure not as the ... follow from this , as Greenblatt claims , that Desde- mona's promise of a daily increase is actually a threat because ...
... follows : maybe never again , a sort of post coitum tristis . By contrast Desdemona registers pleasure not as the ... follow from this , as Greenblatt claims , that Desde- mona's promise of a daily increase is actually a threat because ...
Seite 294
... follows interest when it does not follow per- suasion . 28 Seyla Benhabib's compelling Situating the Self : Gender , Community , and Postmodernism in Contem- porary Ethics ( New York : Routledge , 1992 ) , works towards salvaging the ...
... follows interest when it does not follow per- suasion . 28 Seyla Benhabib's compelling Situating the Self : Gender , Community , and Postmodernism in Contem- porary Ethics ( New York : Routledge , 1992 ) , works towards salvaging the ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York