Chinese Women’s Cinema: Transnational ContextsLingzhen Wang Columbia University Press, 30.08.2011 - 384 Seiten The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. |
Inhalt
Part I Female Authorship Negotiated in Different Times Spaces and Genres | |
Images and Affect | |
Part III The Visual Subject and Feminist Cinema | |
Part IV Female Writing Performance and Issues of Cinematic Agency | |
Part V Migration Diaspora and Transcultural Practiceof Gender and Cinema | |
Filmography | |
Glossary | |
Bibliography | |