Black Portaiture Amer FictBasic Books, 05.10.1971 - 280 Seiten Traces the evolution of the Black character from stereotype to complex individual, revealing the influences of shifting cultural values. |
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Seite 18
... personality ; for it has been shown that cul- ture , society , and personality form a unit so inextricably interrelated that no single component can be examined in isolation of the other two ; moreover , that culture dominates the ...
... personality ; for it has been shown that cul- ture , society , and personality form a unit so inextricably interrelated that no single component can be examined in isolation of the other two ; moreover , that culture dominates the ...
Seite 21
... personality is recognition of the concept that personality is never a static quality ; it is a process of " becoming , " a drive toward self - actualization that continues as long as a person is alive . Personality as process can be ...
... personality is recognition of the concept that personality is never a static quality ; it is a process of " becoming , " a drive toward self - actualization that continues as long as a person is alive . Personality as process can be ...
Seite 22
... personality lies in the sense of identity . Gordon Allport writes , " Each person is an idiom unto himself , an apparent violation of the syntax of the species . " 51 Such a person is not simply a utilitarian ex- tension of others but ...
... personality lies in the sense of identity . Gordon Allport writes , " Each person is an idiom unto himself , an apparent violation of the syntax of the species . " 51 Such a person is not simply a utilitarian ex- tension of others but ...
Inhalt
Chapter | 3 |
Aesthetic Symbols of Culture and Personality | 16 |
STOCK CHARACTERS | 29 |
Urheberrecht | |
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African ain't Alain Locke American archetypal Aunt Harry avengers become behavior believes Belton black pride black-white blacks and whites brother Caesar called child church Clotel Cullee cultural attitudes daughter death decisions delineated earlier Etta experience eyes face father feelings fictional freedom Gabriel girl Harlem Huck human Ibid identity individual inferior Janie Joel Chandler Harris John John Pendleton Kennedy kill later learns literature live look Lucas Lucas's Malcolm X mammy marriage marry master Melanctha ment mother mulatto Negro never nigger novel octoroon Oliver pattern personality plantation portraits problem psychological Purlie race racial realizes refuses rejection relatedness relationship responsibility revealing ritual Sam Lucas sense skin color slave slavery social society Stephen Vincent Benét stock characters story symbols T. S. Stribling things tion token black tragic mulatto Tucker Uncle wants wife William writers York young youth