Black Portaiture Amer FictBasic Books, 05.10.1971 - 280 Seiten Traces the evolution of the Black character from stereotype to complex individual, revealing the influences of shifting cultural values. |
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Seite 34
... function in the novel is to serve others and do what he is told to do . This function he performs in several ways . Ceremoniously he greets guests , welcomes acceptable but unfamiliar visitors , and ushers all into the master's pres ...
... function in the novel is to serve others and do what he is told to do . This function he performs in several ways . Ceremoniously he greets guests , welcomes acceptable but unfamiliar visitors , and ushers all into the master's pres ...
Seite 43
... function as butt of a farcical joke . Daggoo was obviously unsuitable if he were to continue as irrepressible and instinctive " squire " along with Tashtego and Queequeg . Little Pip , reserved for a more uni- versal and tragic role in ...
... function as butt of a farcical joke . Daggoo was obviously unsuitable if he were to continue as irrepressible and instinctive " squire " along with Tashtego and Queequeg . Little Pip , reserved for a more uni- versal and tragic role in ...
Seite 160
... function of conscience , as well as the implications of human slavery . Henry Johnson in The Monster ( 1899 ) functions as a sounding board for Crane's criticism of human behavior in a Northern community that he calls Whilomville ...
... function of conscience , as well as the implications of human slavery . Henry Johnson in The Monster ( 1899 ) functions as a sounding board for Crane's criticism of human behavior in a Northern community that he calls Whilomville ...
Inhalt
Chapter | 3 |
Aesthetic Symbols of Culture and Personality | 16 |
STOCK CHARACTERS | 29 |
Urheberrecht | |
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African ain't Alain Locke American archetypal Aunt Harry avengers become behavior believes Belton black pride black-white blacks and whites brother Caesar called child church Clotel Cullee cultural attitudes daughter death decisions delineated earlier Etta experience eyes face father feelings fictional freedom Gabriel girl Harlem Huck human Ibid identity individual inferior Janie Joel Chandler Harris John John Pendleton Kennedy kill later learns literature live look Lucas Lucas's Malcolm X mammy marriage marry master Melanctha ment mother mulatto Negro never nigger novel octoroon Oliver pattern personality plantation portraits problem psychological Purlie race racial realizes refuses rejection relatedness relationship responsibility revealing ritual Sam Lucas sense skin color slave slavery social society Stephen Vincent Benét stock characters story symbols T. S. Stribling things tion token black tragic mulatto Tucker Uncle wants wife William writers York young youth