Black Portaiture Amer FictBasic Books, 05.10.1971 - 280 Seiten Traces the evolution of the Black character from stereotype to complex individual, revealing the influences of shifting cultural values. |
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Seite 107
... face to face , is an indication of fear that if he sees her , he will realize how much he loves her and relent . Alton answers neither of the questions directly ; his silence with regard to the first one indicates to Sidney that he is a ...
... face to face , is an indication of fear that if he sees her , he will realize how much he loves her and relent . Alton answers neither of the questions directly ; his silence with regard to the first one indicates to Sidney that he is a ...
Seite 146
... face , the reader learns that although strong character lines are present , the lips are full and sensuous More convincing evidence is given later when Maria over- hears his " deep , aboriginal , lustful " laugh as he strangles Crown ...
... face , the reader learns that although strong character lines are present , the lips are full and sensuous More convincing evidence is given later when Maria over- hears his " deep , aboriginal , lustful " laugh as he strangles Crown ...
Seite 161
... face and shiny eye , " he becomes a saint ; they try to hide the fact that they once belittled him . Proudly Bella Farragut announces that she was engaged to marry him . When it is discovered that he is alive and that he is a face ...
... face and shiny eye , " he becomes a saint ; they try to hide the fact that they once belittled him . Proudly Bella Farragut announces that she was engaged to marry him . When it is discovered that he is alive and that he is a face ...
Inhalt
Chapter | 3 |
Aesthetic Symbols of Culture and Personality | 16 |
STOCK CHARACTERS | 29 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
African ain't Alain Locke American archetypal Aunt Harry avengers become behavior believes Belton black pride black-white blacks and whites brother Caesar called child church Clotel Cullee cultural attitudes daughter death decisions delineated earlier Etta experience eyes face father feelings fictional freedom Gabriel girl Harlem Huck human Ibid identity individual inferior Janie Joel Chandler Harris John John Pendleton Kennedy kill later learns literature live look Lucas Lucas's Malcolm X mammy marriage marry master Melanctha ment mother mulatto Negro never nigger novel octoroon Oliver pattern personality plantation portraits problem psychological Purlie race racial realizes refuses rejection relatedness relationship responsibility revealing ritual Sam Lucas sense skin color slave slavery social society Stephen Vincent Benét stock characters story symbols T. S. Stribling things tion token black tragic mulatto Tucker Uncle wants wife William writers York young youth