Black Portaiture Amer FictBasic Books, 05.10.1971 - 280 Seiten Traces the evolution of the Black character from stereotype to complex individual, revealing the influences of shifting cultural values. |
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Seite 18
... experience and with the arts generally as symbols of culture effecting the integration of self in the community through a patterned presentation of hu- man values . From these sources have grown the expand- ing ideas of aesthetic experience ...
... experience and with the arts generally as symbols of culture effecting the integration of self in the community through a patterned presentation of hu- man values . From these sources have grown the expand- ing ideas of aesthetic experience ...
Seite 217
... experience with him , the Secretary of State observes that Cullee is no man's stooge . Because he is his own man and in spite of public vilification , he con- tinues to do what he thinks is right within the scope of his knowledge and ...
... experience with him , the Secretary of State observes that Cullee is no man's stooge . Because he is his own man and in spite of public vilification , he con- tinues to do what he thinks is right within the scope of his knowledge and ...
Seite 238
... experiences , feelings , and aspirations that weld people together into cohesive groups . From a series of well ... experience , he is the " white nigger " that other Negroes call him , for he con- siders it better , in the long run ...
... experiences , feelings , and aspirations that weld people together into cohesive groups . From a series of well ... experience , he is the " white nigger " that other Negroes call him , for he con- siders it better , in the long run ...
Inhalt
Chapter | 3 |
Aesthetic Symbols of Culture and Personality | 16 |
STOCK CHARACTERS | 29 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
African ain't Alain Locke American archetypal Aunt Harry avengers become behavior believes Belton black pride black-white blacks and whites brother Caesar called child church Clotel Cullee cultural attitudes daughter death decisions delineated earlier Etta experience eyes face father feelings fictional freedom Gabriel girl Harlem Huck human Ibid identity individual inferior Janie Joel Chandler Harris John John Pendleton Kennedy kill later learns literature live look Lucas Lucas's Malcolm X mammy marriage marry master Melanctha ment mother mulatto Negro never nigger novel octoroon Oliver pattern personality plantation portraits problem psychological Purlie race racial realizes refuses rejection relatedness relationship responsibility revealing ritual Sam Lucas sense skin color slave slavery social society Stephen Vincent Benét stock characters story symbols T. S. Stribling things tion token black tragic mulatto Tucker Uncle wants wife William writers York young youth