Black Portaiture Amer FictBasic Books, 05.10.1971 - 280 Seiten Traces the evolution of the Black character from stereotype to complex individual, revealing the influences of shifting cultural values. |
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Seite 29
... evidence also of a changing tone in cultural attitudes . In the early part of the nineteenth century , blacks were regarded as slaves by divine edict . When doubt arose concerning the validity of using human beings as sal- able ...
... evidence also of a changing tone in cultural attitudes . In the early part of the nineteenth century , blacks were regarded as slaves by divine edict . When doubt arose concerning the validity of using human beings as sal- able ...
Seite 64
... evidence on which he was convicted . In any case , it seems that three years after Dixon wrote The Leopard's Spots he felt compelled to justify a lynching . After emancipation , Gus ran away , joined the Un- ion army , and returned ...
... evidence on which he was convicted . In any case , it seems that three years after Dixon wrote The Leopard's Spots he felt compelled to justify a lynching . After emancipation , Gus ran away , joined the Un- ion army , and returned ...
Seite 107
... evidence of the archetype's auton- omy , its ability to " lead its own life " in extended meaning that differs from its creator's intent . Mrs. Stowe's purpose is similar to Mrs. Little's in Thrice Through the Furnace , pub- lished ...
... evidence of the archetype's auton- omy , its ability to " lead its own life " in extended meaning that differs from its creator's intent . Mrs. Stowe's purpose is similar to Mrs. Little's in Thrice Through the Furnace , pub- lished ...
Inhalt
Chapter | 3 |
Aesthetic Symbols of Culture and Personality | 16 |
STOCK CHARACTERS | 29 |
Urheberrecht | |
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African ain't Alain Locke American archetypal Aunt Harry avengers become behavior believes Belton black pride black-white blacks and whites brother Caesar called child church Clotel Cullee cultural attitudes daughter death decisions delineated earlier Etta experience eyes face father feelings fictional freedom Gabriel girl Harlem Huck human Ibid identity individual inferior Janie Joel Chandler Harris John John Pendleton Kennedy kill later learns literature live look Lucas Lucas's Malcolm X mammy marriage marry master Melanctha ment mother mulatto Negro never nigger novel octoroon Oliver pattern personality plantation portraits problem psychological Purlie race racial realizes refuses rejection relatedness relationship responsibility revealing ritual Sam Lucas sense skin color slave slavery social society Stephen Vincent Benét stock characters story symbols T. S. Stribling things tion token black tragic mulatto Tucker Uncle wants wife William writers York young youth