Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 78
Seite 42
... women , all concerned with the surreal banalities of everyday life , represents the shared concern of women artists in the seventies " to see with their own eyes . " By including these films in her own , Sander is claiming the political ...
... women , all concerned with the surreal banalities of everyday life , represents the shared concern of women artists in the seventies " to see with their own eyes . " By including these films in her own , Sander is claiming the political ...
Seite 20
... women and my gut feelings . . . . Our idea of including women of color was to send out notices . We never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how ...
... women and my gut feelings . . . . Our idea of including women of color was to send out notices . We never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how ...
Seite 31
... Women Are White , All the Blacks Are Men ; but Some of Us Are Brave is the title given to an anthology edited by ... women scholars to think of black women as women , perhaps because " woman " ( like " man " among white males ) is a name ...
... Women Are White , All the Blacks Are Men ; but Some of Us Are Brave is the title given to an anthology edited by ... women scholars to think of black women as women , perhaps because " woman " ( like " man " among white males ) is a name ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing