Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
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Seite 45
... theory of the cinema - or at least a certain space , an area of film theory - is beginning to take shape . I am aware of all of this , and I realize , therefore , that what is perhaps the most important issue ( " Eisenstein's place in a ...
... theory of the cinema - or at least a certain space , an area of film theory - is beginning to take shape . I am aware of all of this , and I realize , therefore , that what is perhaps the most important issue ( " Eisenstein's place in a ...
Seite 82
... theory of the subject in general and Lacanian theory in particular collude in directing energies away from social and economic relations , that this theory " is useful to the sustenance and the reproduction of the capitalist system ...
... theory of the subject in general and Lacanian theory in particular collude in directing energies away from social and economic relations , that this theory " is useful to the sustenance and the reproduction of the capitalist system ...
Seite 26
... theory was a watershed . Such well - known experiments in separating text from context as cubism and dadaism testify to currents within the culture that preceded Shannon's theory , and that in a sense enabled it by creating a context in ...
... theory was a watershed . Such well - known experiments in separating text from context as cubism and dadaism testify to currents within the culture that preceded Shannon's theory , and that in a sense enabled it by creating a context in ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing