Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 48
Seite 18
... symbolic in its own discourse , and therefore erupts into a discourse of otherness , poetry , colour , sound , rhythm . She asso- ciates the semiotic with the pre - Oedipal , with the mother's body , evoking both the place of motherhood ...
... symbolic in its own discourse , and therefore erupts into a discourse of otherness , poetry , colour , sound , rhythm . She asso- ciates the semiotic with the pre - Oedipal , with the mother's body , evoking both the place of motherhood ...
Seite 20
... symbolic universe . You cannot choose the imaginary , the semiotic , the carnival as an alter- native to the law . It is set up by the law precisely in its own ludic space , its area of imaginary alterna- tive , but not as a symbolic ...
... symbolic universe . You cannot choose the imaginary , the semiotic , the carnival as an alter- native to the law . It is set up by the law precisely in its own ludic space , its area of imaginary alterna- tive , but not as a symbolic ...
Seite 49
... symbolic order , yet her writing elaborates fables of survival be- yond a phallogocentric symbolic order . Her Canopean series may be read , therefore , as a radical revision and reinvention of the relation of the subject to the ...
... symbolic order , yet her writing elaborates fables of survival be- yond a phallogocentric symbolic order . Her Canopean series may be read , therefore , as a radical revision and reinvention of the relation of the subject to the ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing