Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
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Seite 92
... Sense , ed . and tr . by Jay Leyda ( The World Publishing Com- pany , Meridian Books , 1968 ) . ( A new edition of ... Sense , pp . 155-216 . The diagrams referred to by Aumont in the next paragraph are to be found on a pullout sheet ...
... Sense , ed . and tr . by Jay Leyda ( The World Publishing Com- pany , Meridian Books , 1968 ) . ( A new edition of ... Sense , pp . 155-216 . The diagrams referred to by Aumont in the next paragraph are to be found on a pullout sheet ...
Seite 56
... sense of ' history - in - the - making , ' but also provoked a crisis of historical cons- ciousness which temporarily bared the precarious foundations of Ger- man national identity . As Kluge observed at the time , the moment of shock ...
... sense of ' history - in - the - making , ' but also provoked a crisis of historical cons- ciousness which temporarily bared the precarious foundations of Ger- man national identity . As Kluge observed at the time , the moment of shock ...
Seite 84
... sense of Piaget's " syncretistic vision " ) , this does not mean that they are organicist in the traditional sense . They are , on the contrary , seen in constant tension to secondary analytic modes of thinking and the “ new holism ...
... sense of Piaget's " syncretistic vision " ) , this does not mean that they are organicist in the traditional sense . They are , on the contrary , seen in constant tension to secondary analytic modes of thinking and the “ new holism ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing