Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
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Seite 30
... represented , that which is unspoken , that which is left out of namings and ideologies . 19 She is referring , of course , to the Western platonic philosophical tradi- tion which takes man as its term of reference and simply poses ...
... represented , that which is unspoken , that which is left out of namings and ideologies . 19 She is referring , of course , to the Western platonic philosophical tradi- tion which takes man as its term of reference and simply poses ...
Seite 98
... represented may even disappear . Then , instead of a sculpture , we shall have an architecture , from which the figurative dimension is absent , but in which the dimension of representation of the phenomena of nature and in particular ...
... represented may even disappear . Then , instead of a sculpture , we shall have an architecture , from which the figurative dimension is absent , but in which the dimension of representation of the phenomena of nature and in particular ...
Seite 115
... represented by actors staging what Farocki calls the picture - motifs of Vietnam : A GI , flat on the ground listening with a stethoscope for underground tunnels ; the execution by the chief of police of a Vietcong prisoner in a Saigon ...
... represented by actors staging what Farocki calls the picture - motifs of Vietnam : A GI , flat on the ground listening with a stethoscope for underground tunnels ; the execution by the chief of police of a Vietcong prisoner in a Saigon ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing