Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
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Seite 16
... relationship to seemingly unrelated phenomena and makes them bleakly identical . It would be useful to do a comparative study of the opinion polls which have become a standard feature of modern life . Such studies could determine the ...
... relationship to seemingly unrelated phenomena and makes them bleakly identical . It would be useful to do a comparative study of the opinion polls which have become a standard feature of modern life . Such studies could determine the ...
Seite 119
... relationship between analogy and signification ( not to mention signifiance ) 18 , which is perhaps more hierarchical than dialectical , is of capital importance throughout the entire textual system of Ivan . It is in any event what ...
... relationship between analogy and signification ( not to mention signifiance ) 18 , which is perhaps more hierarchical than dialectical , is of capital importance throughout the entire textual system of Ivan . It is in any event what ...
Seite 38
... relationship between authorship and spectacle is complicated as well by the analogy between Fassbinder / Schygulla , and von Stern- berg / Dietrich , for Marlene Dietrich's function as object of the look depends upon an ironic parody ...
... relationship between authorship and spectacle is complicated as well by the analogy between Fassbinder / Schygulla , and von Stern- berg / Dietrich , for Marlene Dietrich's function as object of the look depends upon an ironic parody ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing