Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 22
Seite 111
... performance art , even though the refusal to delegate and instead to split himself into enunciator and enunciated , director and protagonist , has much in common with the post - modern impulse to give back to spectacle the presence of ...
... performance art , even though the refusal to delegate and instead to split himself into enunciator and enunciated , director and protagonist , has much in common with the post - modern impulse to give back to spectacle the presence of ...
Seite 36
... performances within the film , full of scenes structured by variations on the theme of woman as object of spectacle . 11 ... performance ( or " showing " in conjunction with the " telling " of narrative ) in terms not so immediately ...
... performances within the film , full of scenes structured by variations on the theme of woman as object of spectacle . 11 ... performance ( or " showing " in conjunction with the " telling " of narrative ) in terms not so immediately ...
Seite 119
... performance . Although this provoked the museum to close the Salle des Etats , the perfor- mances continued under tremendous tension only to be ex- tended in the arena of the street when the artists were met by waiting police . This ...
... performance . Although this provoked the museum to close the Salle des Etats , the perfor- mances continued under tremendous tension only to be ex- tended in the arena of the street when the artists were met by waiting police . This ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing