Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
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Seite 17
... opposition to " femininity , " a feminist interrogation of women's oppression might pre - figure the moment articulated by Luce Irigary when she said : " What I desire and what I am waiting for , is to see what men will do and say when ...
... opposition to " femininity , " a feminist interrogation of women's oppression might pre - figure the moment articulated by Luce Irigary when she said : " What I desire and what I am waiting for , is to see what men will do and say when ...
Seite 21
... opposition . C 1. Narrative structure and change . According to Barthes , myth closes off contradiction . Levi - Strauss extracts the synchronic from the diachronic to discover binary opposition . Propp , on the other hand , emphasizes ...
... opposition . C 1. Narrative structure and change . According to Barthes , myth closes off contradiction . Levi - Strauss extracts the synchronic from the diachronic to discover binary opposition . Propp , on the other hand , emphasizes ...
Seite 81
... opposition ) , and it works to induce messages which ( 1 ) turn away from any engagement with socially incorrect but useful oppositions in favor of entering into imaginary oppositions against domination ; ( 2 ) produce overt or ...
... opposition ) , and it works to induce messages which ( 1 ) turn away from any engagement with socially incorrect but useful oppositions in favor of entering into imaginary oppositions against domination ; ( 2 ) produce overt or ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing