Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 78
Seite 50
... never believed much in the utopia of cine - language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the ...
... never believed much in the utopia of cine - language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the ...
Seite 71
... never built . He becomes aggressive , time is not important , we can't measure the unconscious with standards of time derived from processes from which we are necessarily excluded . We are always outside the unconscious only comes to us ...
... never built . He becomes aggressive , time is not important , we can't measure the unconscious with standards of time derived from processes from which we are necessarily excluded . We are always outside the unconscious only comes to us ...
Seite 20
... never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how men have excluded the participation of women in their work through Roberts Rules of Order ...
... never came to the business table as equals . Women of color joined us on our terms . . . . I started seeing the similarities with how men have excluded the participation of women in their work through Roberts Rules of Order ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing