Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
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Seite 11
... facts add further meaning to the tragic dimension of each of those events . The fact that the Leningrad trials took place at the same time as the Burgos trial and that both were tried in camera influenced their outcome . A political ...
... facts add further meaning to the tragic dimension of each of those events . The fact that the Leningrad trials took place at the same time as the Burgos trial and that both were tried in camera influenced their outcome . A political ...
Seite 28
... fact that in matters sexual and cinematic , those who line up with power are men and those who end up in confinement women , is not particularly new or surprising . But it should be kept in mind when reading Foucault's conclusion ...
... fact that in matters sexual and cinematic , those who line up with power are men and those who end up in confinement women , is not particularly new or surprising . But it should be kept in mind when reading Foucault's conclusion ...
Seite 10
... fact treated in perhaps too cavalier a manner by Erich Jantsch.17 It may finally follow an exponential or even hyperbolic curve , culminating in the wild vibrations of positive feed- back . At this stage the dominant mode of order ...
... fact treated in perhaps too cavalier a manner by Erich Jantsch.17 It may finally follow an exponential or even hyperbolic curve , culminating in the wild vibrations of positive feed- back . At this stage the dominant mode of order ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing