Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
Ergebnisse 1-3 von 72
Seite 82
... cultural struggle takes place within terms of domination rather than domi- nance , within an effectively disguised functioning of ideological state apparatuses rather than in open cultural warfare . If post- modern and semiotic accounts ...
... cultural struggle takes place within terms of domination rather than domi- nance , within an effectively disguised functioning of ideological state apparatuses rather than in open cultural warfare . If post- modern and semiotic accounts ...
Seite 99
... cultural symbols , issues of national identity , and aesthetic value . Taylor notes that in Argentina the tango is always felt to be on the verge of disappearing . An older and purer form is always challenged by a newer , hybrid form ...
... cultural symbols , issues of national identity , and aesthetic value . Taylor notes that in Argentina the tango is always felt to be on the verge of disappearing . An older and purer form is always challenged by a newer , hybrid form ...
Seite 47
... cultural systems and institu- tions of power that reproduce themselves by means of these narratives . 16 Moving beyond the display of systems as an end in itself , these writers provide re - readings of the cultural text . They succeed ...
... cultural systems and institu- tions of power that reproduce themselves by means of these narratives . 16 Moving beyond the display of systems as an end in itself , these writers provide re - readings of the cultural text . They succeed ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing