Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
Im Buch
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Seite 29
... construction of a subject other than its speaker - the construction that is , of the viewing subject . I call this third category the “ spoken subject . ” 6. For a fuller discussion of the will to truth , see " The Discourse on Language ...
... construction of a subject other than its speaker - the construction that is , of the viewing subject . I call this third category the “ spoken subject . ” 6. For a fuller discussion of the will to truth , see " The Discourse on Language ...
Seite 53
... Construction Site of Counter - History by Miriam Hansen Contemporary German Cinema is making its way into Film Stu- dies as an instance of deviation - a deviation from dominant classical narrative , but , in the same move , also a ...
... Construction Site of Counter - History by Miriam Hansen Contemporary German Cinema is making its way into Film Stu- dies as an instance of deviation - a deviation from dominant classical narrative , but , in the same move , also a ...
Seite 64
... construction of these issues in linguistic terms seems to occlude a dimension which is certainly not outside languge , yet is by no means exhausted or sufficiently defined by the economy of signification : the specific relationship of ...
... construction of these issues in linguistic terms seems to occlude a dimension which is certainly not outside languge , yet is by no means exhausted or sufficiently defined by the economy of signification : the specific relationship of ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing