Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 5-9Indiana University Press, 1983 |
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Seite 117
... completely negated by the rigorous order of the composition . " But if he is able to make his point so easily , that is due to ( at least ) two oversights on his part . First of all , his analysis is based on a still photograph , and it ...
... completely negated by the rigorous order of the composition . " But if he is able to make his point so easily , that is due to ( at least ) two oversights on his part . First of all , his analysis is based on a still photograph , and it ...
Seite 47
... completely , so that defeat could be forgotten ! ... But every movement which would recall the rage of the ancestors is irreme- diably frozen , redoubling the immobility which makes women prisoners . * In the oral tradition of Algeria ...
... completely , so that defeat could be forgotten ! ... But every movement which would recall the rage of the ancestors is irreme- diably frozen , redoubling the immobility which makes women prisoners . * In the oral tradition of Algeria ...
Seite 86
... completely as ours " ( BA 22-23 ) . The Indians are completely absent . Yet , like any dead who have died at the hands of others or in an untimely fashion their survivors feel ambivalently about them . Incompletely mourned they do not ...
... completely as ours " ( BA 22-23 ) . The Indians are completely absent . Yet , like any dead who have died at the hands of others or in an untimely fashion their survivors feel ambivalently about them . Incompletely mourned they do not ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Urheberrecht | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing